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Vodlocker Bad Boys for Life
Beautiful holiday tale of a Marine family, struggling as any typical family does to get along with each other let alone the world at large. Just about everybody in the cast is an unknown or at least with only a few movies (or TV shows) under their belt, including the director, Sheri Le Mon. The only easily recognizable character is "George", their grumpy next door neighbor, who happens to be Sherman Hemsley (aka George) of The Jefferson's fame.

None the less, everybody does a great job of not "over acting" (less is more), and brings a strong story of family realizing there are more important things than themselves, no matter their age, whether immediate or extended, in their lives.

I laughed often at how accurately the internal family squabbles were played, especially between the crooked halo of the youngest daughter and the older two children (the scene with the kids working on the neighbors flower bed was perfect).

Bridgette Potts (playing Grace Harrington) did a wonderful job as the teenage daughter, caught up in all the "normal" teenage dramas (actually, at their worse the kids were pretty well behaved), yet coming around when a family member, who couldn't fend for himself, needed help. Grace and her friends hard work brings everybody together and touches the hearts of all around them. A lot of detail was given to the human interactions…and I felt they were all believable.

And then there is Semper (as in Semper Fi), their lovable golden retriever (who doesn't seem to have his name in the cast of characters in IMDb – what's up with that?!), who brings family and friends together perfectly playing his part as…a dog!

Being a Marine myself and a lifelong dog lover, this gentle story of how animals can tie family, friends and community together, is a beautiful, gently stated holiday special which looks at the world through unfettered eyes and is suitable for any family member.

Good job!
Director: Adil El Arbi, Bilall Fallah
Cast: Will Smith, Alexander Ludwig, Vanessa Hudgens, Michael Bay, Martin Lawrence, Joe Pantoliano, Paola Nu�ez, Charles Melton, Kate del Castillo, Happy Anderson, Emily Towles, Melissa Kennemore, Jennifer Badger, Bianca Bethune, DJ Khaled

Vodlocker Underwater
• I just mini binge-watched all 4 episodes of Telenovela broadcast to date, and have no idea what would be spoilers or not, so just warning, there might be some. •

I really liked what I've seen so far, but it's a little rough around the edges. The cast of characters is nearly perfect, but at this point, the show needs to develop these characters more than concentrate on love lives. Ana needs to be more miserable about the presence of her ex on the show, with more opportunities for them to have to appear together in public. And more time needs to be devoted to showing the filming of Las Leyes de Pasíon and Ana's script problems - exacerbated by the blood alcohol or pharmaceutical status of the scriptwriter.

Ana's typical American conundrum of not speaking the language of her nationality instantly recalled for me an interview I saw with My Name Is Earl co-star Nadine Velazquez. Her character, Catalina, spoke fluent Spanish; Velazquez, not so much. She admitted she had to learn Spanish to do interviews for Spanish- language networks, and that anyone who knows Spanish would recognize that, when Catalina went off in Spanish, it was usually some silly message from Nadine breaking the 4th wall instead.

I'll admit, I was never quite a fan of Longoria, but I love her in this show because her TV character is the one with the sex appeal, the perfection, the unattainable beauty - whereas Ana is human, flawed, insecure, vulnerable.

And her Miami is the Miami I just left a few years ago after grad school. Unless you live in Little Havana, on Calle Ocho, you can live comfortably without Spanish. But not without at least the semblance of glamour, no matter your income level.

The show isn't gut-splitting funny, but it's amusing. It needs to exploit the wealth of character that's just beneath its fear of success. It's not Ugly Betty or Jane the Virgin; i.e., it's not an American rip-off of an already existing telenovela. It's a parody of the genre (and from what I can see, also a funny look at the reality of being an American of Latin descent, as opposed to Latino, in Miami). But I can't figure out so far why it's afraid to run with that, the way Soap did with American soap operas. For sure, this will never be Soap en Español, but it can carve out a little niche for itself, like NBC's fish-out- of-water series, Welcome to Sweden.

I hope Telenovela doesn't make the mistake that Outsourced did - lose its focus very early. There's a market for a Latin-American sit- com. I was hoping Cristela would be it and was very disappointed when it wasn't renewed. Longoria is well- established in the TV business, but can she make this show a winner? I sure hope that's one of Las Leyes de Pasíon.
Director: William Eubank
Cast: Kristen Stewart, T.J. Miller, Jessica Henwick, Vincent Cassel, John Gallagher Jr., Mamoudou Athie, Gunner Wright

Vodlocker The Call of the Wild
Mulan is without a doubt my favorite Walt Disney movie, and I cherish it as one of my favorite movies ever in general. With that said, it's pretty clear I had high hopes set for Mulan II, and even though I was certainly not expecting it to precede Mulan at all, I was hoping for it to have the same charm and enchantment as it did. Mulan II is an impressive achievement that definitely does justice to the first, and did justice to my expectations.

What is really great about this film is it's overall sense and essence of fun that the first kind of kept mellow and shied away from. Don't get me wrong, I thought Mulan was indeed perfect, but you can compare the two films and obviously see that Mulan II is meant to have more jubilance, and is meant to be more fun and joyful than the first. The film also has excellent songs that I can't help but get stuck in my head, like the "(I Wanna Be) Like Other Girls" bit that the thought of it is making me sing now, and the "Lesson Number One" sequence that I walk around chanting at random times now and then, haha. They are amazingly catchy and well done just like the songs in the first were.

The best thing about this movie though is it's beauty. I think there were so many captivating scenes that were excellently displayed, though the animation was a bit choppy, and the message is just as pure as in the first one, though the first undeniably executes it better. The colors were effervescent, and managed to overthrow a lot of the second-rate animation faults, and one scene that sticks out in my mind is when Shang proposes, because the tree where Mulan and her dad had the most touching scene of the first Mulan film is colored and exhibited gorgeously.

Some things that keep this from being better than it could be is the animation, like I've said, because even though there are beautiful scenes, the animation is quite childlike. Another thing is Shang's lack of personality about halfway through and how Mushu became so incredibly selfish that his character seemed out of place. They were basically like puppets to the creators instead of becoming actual characters themselves, unlike in the first where they had distinct traits and were likable for their definitive individuality, although Mushu does pull through at the end. The voiceovers didn't bother me as much as I thought they would, even though I wish some of the original people would've came back.

In any matter, Mulan II is insane fun, incredibly entertaining, undeniably charming and beautifully crafted. The characters and animation are mediocre at times, but it never fails at keeping up with the spark that the first had. It's far, far better than the Aladdin sequels, and as a film itself it's well done and just overall an astonishing delight that I am glad I gave a chance. Don't let the "direct-to-video" fool you, because this should have been released in theatres to give more people a chance to see what an admirable sequel it is; job well done.
Director: Chris Sanders
Cast: Karen Gillan, Harrison Ford, Cara Gee, Dan Stevens, Bradley Whitford, Jean Louisa Kelly, Omar Sy, Wes Brown, Abraham Benrubi, Terry Notary, Preston Bailey, Stephanie Czajkowski, Colin Woodell, Alex Solowitz, Adam Fergus

Vodlocker Military Wives
First, let me say that I've found films from Xenon Pictures to be consistently "a little bit better" than many other film labels. They just seem to get more for the limited budgets and the films tend to have more personality. "Headhunter" (not to be confused with "Head Hunter" or "Head-Hunter") continues this tradition. The acting and special effects are much better than most of the other B-movie junk out there.

Second, I found that this move improved quite a bit in the second act, after moping through a very slow start. Don't be put off by the first 20 minutes, which are pretty mediocre.

Finally, please bear with me as I get on my soap box to ask, "Do any young screenwriters finish school?" Or, rather, "Do they pass English class?" Here's a film which undoubtedly consumed many months of the production crew's lives and took I-don't-know-how-long to write. There were dozens, if not hundreds, of crew members on the set. In spite of all this, nobody thought to point out that you spell it "cemetery," NOT "cemetary." I don't know about you, but it sort of takes the starch out of a scary scene when the protagonist drives up to a huge engraved sign that says, "XXXXX Cemetery". Also, somebody needs to let the prop people know that the possessive form of "it" is not "it's," so the fake newspaper articles look at least a tad more realistic. I'm not even going to start on the difference between "there," "their" and "they're"....

Yeah, I'm being a Grinch, but you'd think that someone somewhere would pick up a dictionary or use a spell checker.

Overall, much better than most of the horror dreck that's being served up direct-to-video.

As a final stinger, I've just noticed that the IMDb spell checker doesn't note that "cemetery" may be a misspelling. It is. Hmmm...let me try it without the quotes: cemetery. No...the IMDb spell checker needs to go back to school, too.
Director: Peter Cattaneo
Cast: Kristin Scott Thomas, Sharon Horgan, Emma Lowndes, Gaby French, Lara Rossi, Amy James-Kelly, India Ria Amarteifio, Greg Wise, Jason Flemyng, Laura Checkley, Laura Elphinstone, Roxy Faridany, Robbie Gee, Stephen Thompson, Robert Whitelock

Vodlocker Downhill
I also saw this movie in elementary school and can, to this day, recall facts about the heart and blood with the animated depiction. Why? Perhaps Capra was just that good at direction, but I think that the real reason was that this was before color TV was ubiquitous. Unlike today, when kids are constantly bombarded with video and sound, we had very little "multimedia" exposure. When we experienced it, it had a lasting impact. I defy my 11-year-old to remember what he saw just last night.
Director: Nat Faxon, Jim Rash
Cast: Julia Louis-Dreyfus, Will Ferrell, Miranda Otto, Zoe Chao, Zach Woods, Julian Grey, Kristofer Hivju, Ammon Jacob Ford, Giulio Berruti, Nadiv Molcho, Jono Bergmann, Peter Schorn, Ferdinand Ramml, Kimberly Rydell, Ruth Brauer

Vodlocker Resistance
The first episode started off a little shaky, but after you get through the second (episode) you will be hooked. Don't get me wrong the first episode isn't bad and is really easy to watch,I just didn't find it very funny. Don't worry though, as the show goes on and the characters develop the laughs will start pouring in.

Overall it's a great show that any fan of Bill Burr will enjoy. For what it is it's very well written as the show follows a story arc.(Which is something most comedic animated series don't usually do) I really hope more episodes are in store, because in my opinion this has the potential of having a very nice run.
Director: Jonathan Jakubowicz
Cast: Jesse Eisenberg, Ed Harris, Edgar Ramírez, Clémence Poésy, Matthias Schweighöfer, Bella Ramsey, Géza Röhrig, Karl Markovics, F�lix Moati, Alicia von Rittberg, Vica Kerekes, Tobias Gareth Elman, Kue Lawrence, Christian Clarke, Aurélie Bancilhon

Vodlocker Vivarium
This film is garbage at all. There is no doubt. I haven't understood why it is called "woods of evil". Actually there is no relation between woods and people who were killed by obscure evildoer. The main characters are strained and unnatural. They don't make you believe them. Only one thing is interesting it's the manner of photography. The picture looks like a documentary or home video and it adds some realistic to the movie, but few number of decorations turns all into the first dilettante experience in cinematography. If the actors played a little better any sense would appear to watch this film. It's kind of funny when smb was injured there was a feeling that the '911' service would come in a moment))
Director: Lorcan Finnegan
Cast: Imogen Poots, Danielle Ryan, Molly McCann, Jesse Eisenberg, Jonathan Aris, C�me Thiry, Senan Jennings, Eanna Hardwicke, Olga Wehrly

Vodlocker Little Women
i recently saw this and it was so funny! the story was your typical save akane routine, but in the beginning, it shows all of the characters in the past chase after ranma and haposai. a great opening. the animation is very traditional, the characters are funny as hell, especially panda, and ranma soups up his incredible fighting moves. see this one for hilarious laughs and good times.
Director: Greta Gerwig
Cast: Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timoth�e Chalamet, Tracy Letts, Bob Odenkirk, James Norton, Louis Garrel, Jayne Houdyshell, Chris Cooper, Meryl Streep, Rafael Silva, Mason Alban

Vodlocker Cats
A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
Director: Tom Hooper
Cast: Taylor Swift, Francesca Hayward, Idris Elba, Judi Dench, Ian McKellen, Rebel Wilson, James Corden, Mette Towley, Ray Winstone, Laurie Davidson, Jennifer Hudson, Jason Derulo, Naoimh Morgan, Laurent Bourgeois, Robbie Fairchild

Vodlocker I Still Believe
Tanya and her (surely old enough to be her father) lover Lobo live a free life on a tropical island,until Tanya meets an ape like creature Blue (which has a great for its day creature make up,from fx guru Rick Baker surely based on Jack Palances features).All is fine until Lobo gets jealous of his woman spending so much time with the beast,He captures it.Only for Tanya to release it in disgust.Leaving Lobo ("No Damned Animal Can Beat Me") to protect his camp site and partner from the angry beast.

The plot comes across like Beauty and Beast crossed with the Blue Lagoon,and contains a few sex scenes which could push it into the realm of adult cinema.My fave part is seeing Lobo at the camp turn more beast like while Blue becomes human like.The ending for me is the films flaw,having the beast rape Tanya with a purely crude looking blue tint effect on the picture.

I'm sure fans of traditional make-up FX will enjoy this most and maybe the beast rape will entertain exploitation fans enough to please them.I gave this one a [6 out of 10] sure it has its flaws but entertaining all the same.
Director: Andrew Erwin, Jon Erwin
Cast: Britt Robertson, K.J. Apa, Melissa Roxburgh, Gary Sinise, Abigail Cowen, Nathan Parsons, Shania Twain, Reuben Dodd, Cameron Arnett, Tanya Christiansen, Nicolas Bechtel, Gregory Hobson, She� Dueitt, Nicholas G. Sims, Alyssa Gonzalez

Vodlocker Bloodshot
A cruise full of martial arts enthusiasts stops by Warriors Island, an island in the South China Sea rumored to be populated by disgraced martial artists raised from the dead by monks. Oh, and there is some other criminal activity going on, too.

Starring Cameron Mitchell (Blood and Black Lace) and written and directed by Edward Murphy (who has done little else, though he did appear in "Goodfellas"). Camille Keaton and Jewel Shepard also make small cameos.

The Fortune 5 DVD is apparently a VHS transfer, because not only is it fuzzy, but it jumps frames a lot and the sound cuts out. Some moments are pretty much completely unwatchable... not sure why they bothered unless there is just honestly no other way to present the film.

In the opening scene, a group of Vietnamese girls is stripped naked, sort of setting a tone for this film. Yes, it is an exploitation film. But if you want more of this sort of thing, look elsewhere. Plenty of nudity, but not what I would call exploitation.

Some weird party with a male stripper, a centerfold, a female cop and drunks. "what do you call that?" "fetishes." "that's really sick!" I don't know who the actor, Gary McClintic, is, but he is by far the highlight of the movie (and the girl he is with is not bad to look at, either.)

In short, the best samurai zombie movie I have seen to date.
Director: Dave Wilson
Cast: Sam Heughan, Eiza González, Vin Diesel, Talulah Riley, Toby Kebbell, Guy Pearce, Lamorne Morris, J�hannes Haukur J�hannesson, Siddharth Dhananjay, Alex Hernandez, Maarten R�mer, Tamer Burjaq, Ryan Kruger, Patrick Kerton, Alex Anlos

Vodlocker The Way Back
Back in high school, Jack Cunningham had everything going for him. A basketball phenom, he could have punched his ticket to college or even the pros, but, instead, he chose to walk away from the game, forfeiting his future. Jack's glory days are long gone...but, as it turns out, not forgotten. Years later, he gets the chance to take back his life when he is asked to coach the struggling basketball team at his alma mater. Jack reluctantly accepts, surprising no one more than himself, and as the boys start to come together as a team and win, he may get his last shot at redemption.
Director: Gavin O'Connor
Cast: Ben Affleck, Janina Gavankar, Michaela Watkins, Hayes MacArthur, Da'Vinchi, Matthew Glave, Rachael Carpani, Todd Stashwick, Marlene Forte, Inka Kyt�, Glynn Turman, Melvin Gregg, T.K. Carter, Lukas Gage, Jeremy Ratchford

Vodlocker The Gentlemen
I am not that much in favour of documentaries that have to with sensitive scientific topics like brain-computer interfaces, genetics, biology, energy etc. The reason for that is that usually these topics require extensive knowledge and in-depth analysis in order to fully understand the topic addressed; something that is really difficult to achieve through a documentary. Nevertheless, these documentaries are really well-structured, exploring state-of-the-art technologies with top scientists and not only they present complex notions in simple terms but also they are really up-to-date.

Although some episodes are far more interesting than others, all of them are well-directed, well-narrated and in general well-presented. Being a scientist myself, I found all of them interesting and I would definitely recommend watching them even if you lack basic scientific knowledge. As aforementioned, the complex notions and difficult theories behind the science presented are given in an way that anyone can understand.
Director: Guy Ritchie
Cast: Matthew McConaughey, Charlie Hunnam, Michelle Dockery, Jeremy Strong, Colin Farrell, Henry Golding, Hugh Grant, Jason Wong, Christopher Evangelou, Eliot Sumner, Chloe Arrowsmith, Brittany Ashworth, Russell Balogh, Simon. R. Barker, Steve Barnett

Vodlocker Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
The plot is sort of a Lost In Space rip-off: a ship with a mixed crew - some of whom seem to have hidden agendas - crashes on a very hostile planet. The crew members struggle to survive animal attacks and each other, while the mystery of their mission unravels. The plotting is a bit complex and far-fetched, but at least it's not boring and predictable. And most importantly, the action animation is good and so are the background drawings. Nothing screams cheap like poorly animated characters or crappy background art. With good-looking production values and a real plot, this piece is already a bit ahead of the average for this sort of exercise.

Unfortunately, the weak characters and slow developing plot line keep this video from being any better. The dialogue is pedestrian and perfunctory and there is no effective comedy relief or other change of mood in the writing. It all works, in short, but it could have been better.
Director: Cathy Yan
Cast: Margot Robbie, Rosie Perez, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Ewan McGregor, Ella Jay Basco, Chris Messina, Ali Wong, David Ury, Sara Montez, Isabel Pakzad, Daniel Bernhardt, Kc Strubbe, Jacky Shu, Paloma Rabinov

Vodlocker Onward
Hanna D: The Girl from Vondel Park (1984)

** 1/2 (out of 4)

Italian trash is pretty much a remake of CHRISTIANE F. Teenager Hanna (Ann-Gisel Glass) shows old men her body for some quick cash but after hitting the streets to get away from her alcoholic mother, she soon finds herself with an even bigger creep who gets her hooked on heroin and forcing her into prostitution. If you shy away from trash that takes a serious subject and exploits it just to show off some T&A then you'll certainly want to stay far away from this movie, which is certainly one of the sleaziest that I've seen. It's not that the film is overly graphic but exploiting a subject matter like this is going to raise a few eyes and there's enough over-the-top moments here to make fans of the genre happy. We get outrageous dialogue between the hookers and their clients, silly cat fights between the woman, a drug dealer getting beat up by two men on motorcycles, the drunk mother wanting her daughter to sleep with her boyfriend so that he'll stick around and all of this happens in the first twenty-minutes! The sleaze level is pretty high from start to finish as the main reason for this movie being around is so that various women can take their clothes off. Glass does a pretty good job in her role as she manages to handle the sleaze as well as the more serious moments that the film offers. She was apparently twenty-years-old when this was released but her body looks much younger and this here really adds to the creepy nature of the subject matter. The supporting cast are the types you'd expect to see in something like this and that includes the really bad dubbing. The 84-minute running time gets to feel a bit long after the first hour due in large part to the movie turning way too serious in the second half. I'm not sure about others but I hate when an exploitation film tries to switch gears and put across some sort of message. Another problem is that the story itself is so choppy that it just seems to bounce from one situation to the next without too much thought or reason. Bruno Mattei was in charge of editing and some might think this is the reason for the film being so choppy but I'd guess it had more to do with the screenplay not offering more. So, in the end, if you're a fan of Euro-sleaze then eat up as this here offers enough for two movies.
Director: Dan Scanlon
Cast: Tom Holland, Chris Pratt, Julia Louis-Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, Ali Wong, Grey Griffin, Tracey Ullman, Wilmer Valderrama, George Psarras, John Ratzenberger

Vodlocker Human Capital
This must surely be one of the most neglected fantasy films of all time. By all accounts a flop at the time of it's release, it has become the hardest to see of all William Castle's movies. It's also in colour, which is another rarity from this director. French mime/actor Marcel Marceau plays the title role of Malcolm Shanks, a deaf mute puppeteer who scratches out a living putting on shows for children, while bearing the brunt of a miserable home life with his money grabbing brother and sister-in-law, who take all the money he earns for themselves. One day, an elderly professor (also played by Marceau in a dual role) sees his puppet show and offers Shanks a job - to come to his home to assist him is some experiments involving the artificial stimulation of dead animals via electricity, or something...why or how it actually works is not expanded on, but it involves small implants being attached to the muscles and these are then activated by means of a small control box.

Due to his background with puppets, Shanks proves to be very adept at controlling the movement of his first animals (a dead frog, and later a rooster). However things take an unexpected turn when he turns up for work one day only to find the professor dead in his armchair, seemingly from natural causes. Shanks has all but been hounded out of his own home by his cruel relatives, and he realises that desperate measures are needed to avoid going back there...and so the professor becomes the first human subject for re-animation.

What follows is the beginning of a macabre and dreamlike fantasy. The "awakening" of the dead professor is one of the most ghoulish things I have ever seen. Marceau is famous as a physical performer, and his depiction of a dead body being artificially roused into movement is very skillful. With a shock of white hair, sunken face and glazed white eyeballs, the professor's body jerks up off the ground and begins to wobble around the laboratory, as Shanks perfects his manipulation of the control box. It isn't long before he feels confident enough to take his new puppet on a stroll into the streets outside, and this is the start of an escalation of events that you really need to watch to get the full enjoyment out of.

This is almost a silent movie for much of it's running time, with long scenes involving no dialogue whatsoever, but the film is so effective in holding your attention that you will barely even notice the fact that nobody is talking. Shanks himself never speaks at all, but the support character all talk naturally when required - except for when they are dead of course! And some rather charming silent movie-style subtitle boards on the screen fill in any required exposition. The acting in this film is amazing, I suspect that Marceau is not the only performer to have a background in mime or theatre, as when he has to animate other dead characters, the movements are always effectively creepy.

If I have any criticism, it would be that Castle - as he has often done before - stays shy of making the film as truly horrific as it could have been. He never exploits the "yuk" factor of the dead bodies, and there is no allusion to bloodshed or decomposition at any time. William Castle is an oddity among horror directors in that he always puts on the brakes before his subject matter goes to deep into unpleasant territory, whereas others would gleefully revel in the more gruesome aspects of a story like this, Castle seems to prefer to keep things suitable for family viewing! Plus, the movie even ends with a tacked on "it's only make-believe" epilogue that completely squashes the very dark ending of the real story...it's something he has done before, and it seems a shame that the films of William Castle are often sabotaged from being truly horror by the directors very own sensibilities.

That notwithstanding, I would call "Shanks" a success, as it holds your attention constantly throughout. If any one thinks Marcel Marceau's talents end with a white made-up face and leotard, they should see him in this...he is perfect for the part, effective in bringing his whole character to life without speaking a single word. The film is a true oddity, but almost impossible to classify. Ultimately, it's just a unique and bewildering experience, and I think everyone should see it.
Director: Marc Meyers
Cast: Marisa Tomei, Maya Hawke, Alex Wolff, Peter Sarsgaard, Liev Schreiber, Betty Gabriel, Paul Sparks, Christiane Seidel, Aasif Mandvi, Fredric Lehne, James Waterston, Fred Hechinger, Daryl Edwards, Eva Kaminsky, Dominic Col�n

Vodlocker The Banker
Just saw this movie and the main selling point was Malkovich in the cast. He was fine, as was the female lead played by Evangeline Lilly. The main thing that did this movie in for me was a rather leaden performance from Romain Duris. The basic plot is that Malkovich is a "messenger" or someone who can foretell people's deaths. He is also a doctor working with dying people. He contacts Duris and, for the greater part of the movie, the audience is lead to believe that Duris is destined to die. Needless to say, this isn't the way the movie plays out. The director (or writer) manages to establish a dull, plodding rhythm to the film which is confusing and distracting. No more info for anyone interested in seeing the film and the film is worth a rental, if only to watch and revel in another quirky performance from Malkovich and a great performance from Evangeline Lilly. The main problem is it's difficult to empathize, sympathize or otherwise ize with Duris who has the emotional range of a rock in this film.
Director: George Nolfi
Cast: Anthony Mackie, Samuel L. Jackson, Nicholas Hoult, Nia Long, James DuMont, Colm Meaney, Michael Harney, Jessie T. Usher, Taylor Black, Gregory Alan Williams, Paul Ben-Victor, Rhoda Griffis, Crystal Coney, Chris Gann, David Maldonado

Vodlocker The Burnt Orange Heresy
A walking insult to teachers, schools, students, parents and viewers of the show. Anyone really. It's beyond bad.

Obviously written, directed and produced by people who have not been in a classroom since their own childhood and have a more than juvenile sense of humor to say the least. A bit like if a bunch of 13 year old on the verge of drop out wrote this show while high on something.

This feels like a long bad painful sketch hat no one knows how to end.

And I feel really mad at the missed opportunity to do something really interesting and intelligently funny about teachers: after all there are so many shows about law enforcement, doctors and so on that it would be exciting to have the equivalent for teachers. It feels as if these particular profession is treated with ridicule and disrespect instead of the real interest it deserves. After all, it's only one of the most important profession in anyone's life, we all entrust our kids to teachers, they shape the mind of all of us. Why indeed take the time to really research what is going on in schools, with the immense reservoir of real funny anecdotes that any teacher knows and experiences? It's so much more fun to have a set of tired old jokes to offer.

Please... put this show out of its misery.
Director: Giuseppe Capotondi
Cast: Elizabeth Debicki, Donald Sutherland, Claes Bang, Mick Jagger, Rosalind Halstead, Katie McGovern, Flaminia Fegarotti, Alexia Murray, Alessandro Fabrizi, Rasneet Kaur, Fabio Melchionna, Pat Starke

Vodlocker Emma.
The name of the show caught my attention as I was scrolling through my TV app on my phone. Since the first episode I've been so intrigued by the entire cast. The ladies of the show are very unique, full of personality, charismatic, beautiful, stylish, and are so open. I think it's a refreshing take on love, compassion, friendship, and communication. Jack Daniels is very encouraging in his tone of voice, it makes me happy for everyone that is apart of this endeavor. I'm glad this show exist! I don't watch the new episodes until the weekend so my mind and time can be free to embrace every word. I hope the show continues with the current cast because I've grown fond of all of them individually. Granted this show is based on a class therefor I know it will come to an end. Very glad I stumbled upon this I think every lady around the globe should watch.
Director: Autumn de Wilde
Cast: Anya Taylor-Joy, Tanya Reynolds, Johnny Flynn, Mia Goth, Josh O'Connor, Gemma Whelan, Bill Nighy, Callum Turner, Miranda Hart, Amber Anderson, Rupert Graves, Chloe Pirrie, Isis Hainsworth, Myra McFadyen, Isabella Kennard-Barden

Vodlocker The Hunt
Thought this movie was quite poignant and a wonderful showing of how the whites actually treated the Native Americans and showed that the Natives were defending only their homes, their loved ones and their land. Also shows the worthlessness of the white man's word to the Native Americans when they destroyed Toklah's village after promising not to do so. Yeah, right!! Always believe your government!! Not in this life time. Shows, too, that the whites could have gotten along w/the Natives had they made a little effort rather than trying to commit genocide on them. The Native Americans are the reason the whites actually were able to survive here so had no reason to treat the Natives the way they did. Thought the love between the white woman and the Native American was a beautiful and wonderful thing. So deep and so caring even though their cultures were so different. Wish they would re-release this movie as I believe it has a lesson to teach about getting along w/different cultures. If not being re-released, any idea where I might obtain a copy of this movie? Do not care if it is used as long as it is in good playing condition.
Director: Craig Zobel
Cast: Betty Gilpin, Hilary Swank, Ike Barinholtz, Wayne Duvall, Ethan Suplee, Emma Roberts, Christopher Berry, Sturgill Simpson, Kate Nowlin, Amy Madigan, Reed Birney, Glenn Howerton, Steve Coulter, Dean J. West, Vince Pisani